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Proxima Nova’s clinical efficiency is a good fit for the infographic stylings of this graduate consultancy firm’s website.
February 10 |
Webfonts in action
Boom Lab
by Barsness Solutions
By expanding on the basic function of a font stack, we can use subsetted fonts to create some interesting typographic effects that, while not as spectacular as a fully-featured OpenType layout, will at least work well in older browsers.
February 8 |
Articles & resources
Elegant OpenType alternatives for older browsers
Sanchez forms a strong, central component of this Finnish site's graphical identity, being used in multiple weights for both text and display purposes.
February 6 |
Webfonts in action
Spark*
Jan Fromm's Rooney does the hard work on this web conference site, performing very well in its text, navigation and headline duties.
February 6 |
Webfonts in action
Future Insights Live
by Laura Kalbag
TicketBook for navigation and headlines complements the playbill aesthetic of this pub and bar's website very well.
February 6 |
Webfonts in action
Public House
Waldemar Italic from the Ukranian 4th February type foundry is used for the call outs on this Canadian/Russian exporter’s website.
February 6 |
Webfonts in action
Canadian Organic Exports
Mr Moustache’s eccentric character is a happy fit for this family-orientated network of luxury hotels based in English country houses.
February 1 |
Webfonts in action
Luxury Family Hotels
by Nixon Design
The urgent, punchy slideshow on the home page of this healthcare consultancy is given extra heft through the use of URW’s Franklin Gothic.
February 1 |
Webfonts in action
dbMotion
Understanding how browsers and operating systems interpret line height will help you control type on the web with more precision.
January 27 |
Articles & resources
Part 2: The problem with line height
Getting line spacing right is one of those aspects of typesetting that is a tricky combination of good judgement and practiced technique, making it both an art and a science.
January 27 |
Articles & resources
Part 1: We need to talk about line-height
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